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    景德镇中国陶瓷博物馆
    46185 2016-08-25T15:39:45 30 [精品]
    设计师: 吴秉红
    作品类别:文化空间
    景德镇中国陶瓷博物馆说明:

     

    项目名称:景德镇中国陶瓷博物馆

    坐落地点:江西 景德镇

    建筑面积:31450㎡

     

    室内设计理念

     

    高岭的瓷土,珠山的窑火;

    陶人的灵性,窑工的襟怀;

    构成了瓷都生命之河的源,

    从横竖穴窑到镇窑,

    盛世繁华湮灭在历史的滚滚长河中,那些让我们心惊的辉煌,

    可曾唤醒你记忆里的感动和自豪。

    让我们一起期待,更为盛大的辉煌……

     

     

    东方大地--孕育着富饶的文化遗产

    两千年瓷火--熔炼出灿烂的文明

    昌河之南(CHINA)--景德镇--中国--世界瓷都

    景德镇中国陶瓷博物馆

    传承     创新   

     

             窑,是孕育文明的熔炉。

            早在新石器时代,中国就已经发明了“穴窑”用来烧造陶器。商周时期,又出现了升焰式的圆窑和方窑,随着制瓷业的不断发展,瓷窑才逐渐从陶窑中分离出来,成为专门烧造瓷器的窑炉。  景德镇 早在2500多年前的春秋战国时期,中国先人在《考工记》中就对包括制陶在内的手工艺进行了专门总结,提出了“天有时、地有气、材有美、工有巧,合此四者然后可以为良”的深刻思想,景德镇以其得天独厚的条件成为了举世瞩目的世界瓷都。

           龙窑       

            龙窑又称长窑,多依山坡或土堆倾斜建筑,窑长多在30-80米之 间,形似长龙,故称之龙窑。龙窑结构分窑头、窑床、窑尾三部分。龙窑出现于商代,这个时期的龙窑既烧制印纹硬陶,又烧制原始青瓷,即通常所说的“陶瓷同窑合烧”,至东汉晚期结束了陶瓷同窑合烧的状况,出现了专烧瓷器的龙窑。龙窑适合于焙烧胎体较薄、高温下釉黏度较小的石灰釉瓷器,所以有人说龙窑是青瓷的摇篮。

            本案建筑形态与龙窑极为相似,同样依山而建、气势磅礴。孕育出了中华文化之瑰宝---陶瓷艺术,陶瓷与中国的英文同为“CHINA”,本次室内空间的立意我们将建筑的五大主要功能空间与“CHINA”单词相结合,分别给予了建筑新的生命。过去展望未来的内心升华过程...  

            “ C ”为“Create”-----“起源”,中央大厅就是本建筑灵魂的起源;“ H ”为“History”----“历史”,廊道作为“时间轴”的概念就是现代向历史致敬的方式;“  I  ”为“Innovation”--“创新”,文化交流区就是我们研究历史的同时,要赋予陶瓷艺术新的意义;“ N ”为“Now”------“现代”,临展区作为新陶瓷艺术载体,用当代人的思维解读陶瓷、宣扬艺术;“ A ”为“Art”-------“艺术”,主展区是本馆最重要的部分,欣赏陶瓷艺术是让人回顾。

     

     Project Name: Jingdezhen China Ceramic Museum

    Set Location: Jiangxi Jingdezhen

    Building area: 31450㎡

     

     

    Kaolinite, china clay, kiln fire Zhushan; Tao people's spirituality, kiln workers bosom; constitutes a source of porcelain river of life, from the horizontal and vertical hole kiln to kiln town, flourishing downtown annihilation in the history of the rolling river, those Let scared brilliant, ever wake up your memory moved and proud. Let us look forward to more big brilliant ......

     

    East Earth - pregnant with rich cultural heritage of two thousand porcelain fire - melting the south of splendid civilization Changhe (CHINA) - Jingdezhen - China - World Jingdezhen China Ceramic Museum inheritance and innovation

     

                 Kilns, furnaces is the birth of civilization. As early as the Neolithic period, China had already invented the "cave kiln" for firing pottery. Shang and Zhou dynasties, there was a rise-flame kiln round and square kilns, with the development of Porcelain, kilns gradually separated out from the kiln, firing porcelain kilns to become specialized. Jingdezhen than 2,500 years ago in the Spring and Autumn Period, Chinese ancestors in the "Research" in respect of handicrafts including pottery, including for a special summary, the proposed "days sometimes, to have the gas, materials are the United States, workers There are clever, these four were then combined for good, "the profound thought, with its unique conditions Jingdezhen became the remarkable world of porcelain. Long Yao kilns known as long kiln, in accordance with many slopes or mounds tilt construction, kiln more than 30-80 meters long, the shape of the queue, hence the term kilns. Long Yao sub-structure kiln, kiln bed, kiln three parts. Long Yao appeared in the Shang Dynasty, both firing kilns of this period stamped hard pottery, and firing primitive celadon, known as "co-fired ceramic kiln with" late Eastern Han Dynasty to the end of a ceramic kiln combined with burn situation, there has been special porcelain kilns burning. Kilns suitable for firing carcass thinner, smaller viscosity at high temperatures the glaze lime glaze porcelain, so some people say the cradle of celadon kilns. The case is very similar architectural form and kilns, the same hillside, magnificent. Gave birth to a treasure of Chinese culture --- ceramic art, ceramics and Chinese with English as "CHINA", the conception of this interior space of our five main buildings and functional space "CHINA" word combination, were given the building new life. Looking ahead past the inner sublimation ...

     "C" for the "Create" ----- "Origins", the central hall of the building is the origin of the soul; "H" to "History" ---- "history" corridors as the concept of "Timeline" is a tribute to the history of the modern way; "I" to "Innovation" - "innovation" and cultural district that we study history at the same time, we want to give new meaning to ceramic art; "N" to "Now" ----- - "modern", as the new temporary exhibition of ceramic art carrier, ceramics contemporary interpretation of thinking, to promote the art; "A" to "Art" ------- "art", the main exhibition is the museum's most important part, people appreciate the ceramic art is recalled.

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